The habit had a noticeable effect on his playing as not only did he not sound as good, but he became flakey. Blakey introduced Morgan to heroin in the early 1960s and he soon became addicted. Wayne Shorter, a notable saxophonist who hung around and played with Morgan in the 1960s recalled, “I would drink and have like a think veil around me– that’s my space, my little dream space– and we would play.”ĭrugs were a big part of the scene as well. JP Jazz Archive /Redferns/Getty Images Lee Morgan (left) playing in Art Blakey’s band with Jymie Merritt and Art Blakey. After taking lessons with influential jazz musicians like Clifford Benjamin Brown, his style and talent developed rapidly. But he took a particular liking to the trumpet and when he turned 13, he was given one as a gift from his sister. Morgan was interested in many instruments including the vibraphone, the alto saxophone, and the trumpet. He was the youngest of four children to Otto Ricardo and Nettie Beatrice, and the family moved to New York City after he was born. Lee Morgan Discovers Jazzīorn on July 10, 1938, in Philadelphia, Lee Morgan grew up loving jazz. Ironically, that woman who saved him would ultimately cause his demise. In 1972, after getting into an argument, Morgan was shot by his wife in the middle of a show. Unfortunately, his bourgeoning career would be tragically cut short. ![]() Lee Morgan could have gone on to produce many more jazz records. Lee almost gave into them, but a woman named Helene Moore saved him. By 1960, he had recorded with legendary jazz musicians like John Coltrane, Tina Brooks, Dizzy Gillespie, and Art Blakey.īut the downside to a rising artist’s life is the drugs and alcohol that are so easily accessible. Lee Morgan was a brilliant trumpet star and was recognized for his talents by the time he was a teenager.
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